Kamwathi's exhibition, titled 'Scree,' utilises charcoal and plaster to depict human figures that embody unique personalities and narratives.

Kamwathi's exhibition, titled 'Scree,' utilises charcoal and plaster to depict human figures that embody unique personalities and narratives.

Kamwathi's exhibition, titled 'Scree,' utilises charcoal and plaster to depict human figures that embody unique personalities and narratives.

Noted Kenyan artist Peterson Kanwathi’s works remind us that memories never die and are reborn through humans, spaces, and politics. The human figures drawn in charcoal and plaster adorning the walls of the Kochi Muziris Biennale venue, David Hall, possess unique personalities and have a tale to tell. Kamwathi’s work called 'Scree' is displayed as part of the invitations program of the Biennale. Rolls of billboard vinyl sheets, too, could be seen neatly arranged at various parts of the hall. 

The humans on the wall, like the long queues of migrants, civil rights activists and lonely cyber citizens of the modern age, reflect the politics of the body, according to the artist. These works also celebrate the long-standing connection between the East African coasts and Kochi. The articles on the floor have been made from old vinyl purchased in Kochi. “I like drawing human figures. I try to initiate a conversation by connecting human relations with this historically significant place,” says Peterson Kamwathi. The exhibition is sponsored by the Nairobi Contemporary Art Institute.

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Know the artist
The 1980-born artist is best known for his conceptual, visual works, which go beyond aesthetics to explore the social, economic, and political layers of global issues. Interestingly, he mostly uses media such as pastel, charcoal, collage, watercolour, and woodcuts to create his works. He has also been part of other renowned shows, such as the Venice Biennale. 

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