'Janaki V vs State of Kerala’ Review: Justice isn’t always black and white

“Only strong evidence will prevail in the court of law—even if the truth is otherwise,” says David Abel Donovan (Suresh Gopi) to the victim’s friend in Janaki V vs State of Kerala (JSK). A woman who survived a horrific crime might won’t be able to accept this logic—and debutant director Pravin Narayanan’s film is a stark reminder of that disturbing reality.

Ever since its censor board controversy over the lead character’s name, Janaki V vs State of Kerala had piqued the curiosity of moviegoers. Comparisons to 'Pink' and 'Neru' were inevitable. But Pravin’s take on the courtroom drama carves its own identity, focusing on a woman’s fight for justice in a legal system that demands more than just the truth—it demands evidence.

The film delivers a familiar yet spirited courtroom battle, filled with fiery dialogues and moral dilemmas. But in its attempt to keep audiences engaged, it sometimes sacrifices narrative depth. The story loses clarity in parts, and the predictability of the second half slightly dampens the impact.

Still, 'Janaki V vs State of Kerala' remains a compelling watch—thanks in no small part to its lead performances. Gireesh Narayanan’s music is a standout, adding emotional weight to key moments. It’s been a while since Suresh Gopi wore the lawyer’s robes post 'Chinthamani Kolacase,' and this film is a timely reminder of his command over the courtroom genre. His delivery of hard-hitting dialogues is as sharp as ever.

Anupama Parameswaran is well cast as Janaki V and brings earnestness to the role, though the character could have used more layers. Askar Ali and Divya Pillai offer strong support, while Madhav Suresh’s presence feels somewhat underutilised. Despite its flaws, the film engages with urgency and intent—raising difficult questions about justice, truth, and how the system often demands more than a victim can give.