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True to its title, which translates to 'Doubt', the story unfolds from a single, unsettling question and that one thread is more than enough to keep us hooked till the very end.
Thirteen years later, Malayali filmmaker and scriptwriter Dileesh Karunakaran has attempted to tell the story of another housefly and its encounter with a young man named Boney, who enters his first job as an Lower Division clerk at a KSEB station.
What truly sets this instalment apart is how Death itself is portrayed, not as some abstract, supernatural entity, but as an inevitable, creeping force that feels terrifyingly close.
'Padakkalam' also blends in supernatural themes like the Ouija board situation in 'Romancham', though here there are no ghosts and the film opts to explore black magic instead.
'Sarkeet' is an earnest attempt to explore human connection, mental health, and the migrant experience in a quiet, introspective manner.
Lalanna's Song follows Shoby (Parvathy Thiruvothu) and Miriam (Rima Kallingal), two women who have relocated to Mumbai from their native place in Kerala.
Debutant Abishan Jeevinth's family drama-thriller starts off on a shaky but promising track. The early episodes of an Elam Tamil family escaping the Sri Lankan shores and their tomfoolery after landing on the Indian coast looked a bit shabbily done. The easy job of transiting them by snipping a
While Suriya looks dapper in his retro avatar and the film is segmented across different phases of Paarimel’s life, the story lacks emotional depth.
It has been a long time since we have seen Mohanlal's character get an emotional arc and Benz aka Shanmugham (Mohanlal) stands out for this.
'Backstage' is part of an eight-story anthology set in various cities in India that explores deceit, ego, betrayal, and human struggle
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