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Pallichattambi, starring Tovino Thomas, marks the actor’s return to the period drama space after the commercial success of ARM. Unlike his previous outing, which leaned into fantasy, this film, directed by Dijo Jose Antony, roots itself in a fictional story shaped by the political currents that influenced Kerala’s history.

Mounted on a grand scale, the film is set in the mid-20th century, around the time of the first communist government. While the trailer hinted at something along the lines of Prithviraj’s Vilayath Buddha, a more mass-driven entertainer, Pallichattambi instead chooses a more grounded, history-focused narrative.

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The pacing dips occasionally, but Dijo, along with writer Suresh Babu, manages to strike a fine balance between emotion and action, especially in the first half. Known for his strong political voice in films like Jana Gana Mana, the director once again uses the story to explore layered political themes.

Tovino Thomas delivers a sincere and engaging performance, bringing depth to his character while also impressing in the action sequences. A special cameo in the latter half works reasonably well, even though the film largely stays away from typical mass moments.

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