Sreenivasan’s iconic dialogues that still echo in Malayalam cinema

Sreenivasan, known for scripting some of the most touching and iconic dialogues in Malayalam cinema, has always lit up the screen with fresh, memorable lines. His writing blends humour with sharp social commentary, making his films stand apart. Here’s a look at some of his most beloved on-screen dialogues.

‘Elaathinum Athindeyayaa Samayamundu Daasa’ (Everything has a time, Dasa…)

From ‘Nadodikattu’, a film that blends humour with poignant social issues, particularly the struggles of unemployment, comes one of Sreenivasan’s most iconic lines. The film follows two jobless youths in search of a livelihood and is filled with unforgettable dialogues, but it is Vijayan’s line, ‘Elaathinum Athindeyayaa Samayamundu Daasa…’, that has become a catchphrase in everyday conversations. Vijayan delivers it with certainty about a better future, even as the two youths hang by a thread. Despite being four decades old, the line continues to be used across generations as a reminder that there is always hope.

In a memorable interview, director Sathyan Anthikad recalled how Sreenivasan would usually write scenes just a day before filming. However, for ‘Nadodikattu’, he completed the script in advance, ensuring a well-thought-out narrative that incorporated the director’s inputs, making for a smoother collaboration. This foresight helped create a film that continues to resonate with audiences.

‘Polandine Kurichu Nee Oru Aksharam Mindaruthu…’ (Don’t you utter a word about Poland…)

In ‘Sandesam’, a biting social satire, Sreenivasan brings two political ideologies under one roof. The dialogue comes into play when Prakashan (Jayaram) invokes Poland’s dramatic ideological shift to score a point against his elder brother Prabhakaran (Sreenivasan). ‘Polandine Kurichu Nee Oru Aksharam Mindaruthu…’ carries the pain and shame felt by comrades across the world, and it is no surprise that matters spiral from that moment between the brothers. Thilakan plays the father who initially takes pride in his sons’ political awareness and social commitment, only to gradually realise the hollowness of their activism.