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In the movie, death is represented as a natural and inevitable part of life, something the characters accept without much resistance.
The seasoned filmmaker in Priyadarshan brilliantly captures the essence of MT’s writing with his ability to apply the visual grammar the theme requires and draw the best out of his performers.
‘Vilpana’ is essentially a tale of loneliness, trying to expose the framework of the female mind in the most desperate of times.
Though debutant director Ratish Sekhar sets the narrative entirely in New York, we get only an illusion of what the city is - flashy lifestyles, expensive cars, hip hop dancers, the mafia and dons that rule the streets of New York.
While it may not be a standout in the genre, the film has enough charm to hold your attention, largely thanks to the engaging chemistry between the lead actors.
Trisha played by Brinda is a newly appointed SI at a police station in Telangana, who decides to solve a man’s mysterious death, despite not receiving any backup from her superiors.
For those who have only ever seen 'Devadoothan' on television and for a new generation unfamiliar with the movie, this re-release is a thrilling chance to experience its magic in theatres as it was meant to be seen.
This movie is definitely a must-see in theatres, with its effects and slow-motion scenes crafted perfectly for the big screen.
The desert is an interesting setting but the filmmaker has, at times, failed to use it quite convincingly in the narrative.
In 'Vishesham', both Sooraj and Anand join forces as they take us through the lives of a couple who are navigating the ups and downs of their second marriage.
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