Tasked with navigating audience expectations and perceptions, Blessy has managed deviations or interpretations of the original fairly well, crafting a classic survival drama out of 'Aadujeevitham', only touching upon Najeeb's goat life partially.
Vikash Nowlakha's handheld camera work, coupled with motivated lighting, immerses viewers in the confusion unfolding throughout the movie.
Rahul's 'Bramayugam' and Jijo's 'My Dear Kuttichathan' depict the manipulation tactics of power-hungry people who ensnare gods and demigods.
The visitors took the lead as early as the seventh minute through Rowllin Borges's stunning close-range effort.
Madhu dictates where the moonlight will end on his frame and from where the shadows will grow only to be diluted by the flickering warmth of light spilling from an oil lamp or a campfire.
In the slices shared from Vaaliban's world, the dyes of valour, camaraderie, and love are dyed over in the dark shades of abused power, class struggle, deceit, sweat, and blood.
'Captain Miller' boldly incorporates positive propaganda. Much like how Analeesan, aka Easa (Dhanush), a tribal, enters a temple built by his predecessors and is now forbidden to them.
Praveen Chandran’s ‘Perilloor Premier League’ (PPL) on Hotstar is an ideal pick for binge-watching on a lazy weekend.
Jeo's writers Adarsh Sukumaran and Paulson Skaria occasionally resort to the FAQ format to elucidate the necessity of proper understanding and acceptance of sexual orientation.
The heart of the film lies in the dynamic between Ben Mendelsohn and the young Brooklynn Prince initially, and later with Daisy Ridley.
Throughout the movie, Vidhu Vinod Chopra uses symbolism to depict the life and struggles of Manoj and those like him.
Despite its successes, one aspect of the film received criticism – the portrayal of its villains.