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‘The Woman in Black’ (2012), directed by James Watkins and adapted from Susan Hill’s gothic novel, is one of those films that creeps under your skin and refuses to leave.
Set in 1986, ‘Last Rites’ follows the couple as they step out of semi-retirement to investigate the infamous Smurl haunting in Pennsylvania.
Ten films, a demon nun, a possessed doll, and plenty of sleepless nights later, we’re at the doorstep of ‘The Conjuring: Last Rites’, hitting theatres on September 5.
Eggers, who earlier gave us 'The Witch' and 'The Lighthouse', once again shows his gift for creating worlds that feel eerily authentic. Shot in Prague’s Barrandov Studios, 'Nosferatu' pulls you into the 19th century with cobblestone streets, candlelit rooms, and Orlok’s decaying castle that seems alive with whispers of death.
‘Totally Killer’, directed by Nahnatchka Khan, does not try to reinvent horror, but it does something more interesting.
The story hooks you right away: seventeen children from the same class mysteriously vanish. Only one student, Alex Lilly, remains.
Directed by Damian Mc Carthy, the film begins as a straightforward supernatural horror but quickly veers into psychological territory with sharp turns and a sinister grin.
Directed by Lorcan Finnegan and starring Jesse Eisenberg and Imogen Poots, the film draws you in with its unsettling tone and makes you think about far more than its surface story.
'Until Dawn', now streaming on Netflix, picks up that familiar formula but injects an intriguing spin.
‘Host’ is a lean 56‑minute found‑footage thriller that proves you do not need a big canvas or lavish effects to deliver genuine scares.
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