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The last time we saw Prakash Varma, he was a cop in 'Thudarum', and a menacing one at that. So, his return as a police officer could have easily felt like a repetition, especially after the impact of his previous role. Thankfully, 'Law and Order' gives him a different shade to work with. As DYSP
Urvashi excels as the complex titular character in 'Aasha', a drama-thriller showcasing her effortless ability to inhabit layered roles, with her commanding performance making the intriguing central conflict compelling.
‘Pradhama Drishtya Kuttakkar’ explores police officers becoming suspects in their own investigation, driven by a tense night and naturalistic performances, offering compelling pacing.
‘I’m Game’ evolves from a gangster spectacle to a distinctive fantasy experiment, offering an unusual premise and ambitious storytelling that rewards patient viewers.
Girish A D's 'Bethlehem Kudumba Unit' is a charming, uncomplicated romance featuring Nivin Pauly and Mamitha Baiju, elevated by strong supporting cast performances and pop culture references.
'Khalifa' is a stylish, action-packed commercial entertainer with a mass hero, but its superficial treatment of themes and unoriginal plot prevent it from being truly satisfying.
'Vishwanath & Sons' explores a near-20-year age gap romance, with Mamitha Baiju providing energetic support to Suriya's wealthy businessman, though the film occasionally idealises its male lead.
'Main Vaapas Aaunga' is a film about a 95-year-old man with dementia longing for his pre-Partition home in Sargodha, Pakistan, exploring themes of memory and loss through his love story.
Netflix's 'The Last House' explores a family's confinement within their home, focusing on their evolving dynamics and the psychological toll of isolation.
Backed by a predictable yet engaging screenplay by Akhil Krishna and Linish Nellikkal, the film serves as an ideal launchpad for Vismaya Mohanlal, who makes an assured debut.
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