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Bhavana delivers a powerful and restrained performance as Zaara Philip, a forensic surgeon whose professional detachment contrasts with the emotional turmoil surrounding her.
Jayaram is undoubtedly the film’s emotional anchor. There is an ease to his performance that recalls his vintage family roles, where humour and vulnerability coexisted without feeling calculated.
Aashaan movie, directed by Johnpaul George and starring Indrans, offers a humorous yet candid look at the Malayalam film industry's struggles, paying tribute to its challenges with limited resources.
'Prakambanam' is a debut film by Vijesh Panathur that blends horror and comedy, focusing on the adventurous and mischievous lives of college hostel students.
The film revolves around Antony Xaviour, a morally compromised police officer played by Biju Menon, and Samuel, a desperate father portrayed by Joju George, whose daughter Irene has gone missing.
Set in the aftermath of the 1998 Coimbatore bomb blasts, ‘Sirai’ follows police inspector Kathiravan (Vikram Prabhu), who is assigned to escort an accused man named Abdul (LK Akshay Kumar) on transit duty.
Arun Varma is definitely not a stranger to thrillers, given that his debut work was the Suresh Gopi-Biju Menon-starrer ‘Garudan’ and with ‘Baby Girl’, he strengthens his forte, this time with a more solid script by the popular duo Bobby-Sanjay.
Set against Kochi’s fringe wrestling scene, ‘Chatha Pacha’ borrows heavily from the exaggerated, theatrical world of WWE rather than the grammar of conventional sports cinema.
Headlined by Nikhila Vimal, the story revolves around Roshini, who finds herself at the centre of a chaotic scene at a police station after a fight breaks out during her marriage to Subhash (Aju Varghese).
At a time when regional horror-comedies have found success through grounded storytelling and cultural specificity, “The Raja Saab” aims for a broader canvas but loses its footing along the way.
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