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The movie is divided into two parts: the first half revolves around the past, detailing Anand Narayanan's leadership in an investigation and the resulting repercussions that influence his present circumstances.
The storyline by writer-lyricist Beeyar Prasad, who scripted children's films like Johny, lends depth to the movie.
Making films on a bunch of youngsters in college campuses can be quite risky, since it is an oft-explored theme in Mollywood.
Mukesh and Urvashi's on-screen chemistry is a joy to behold, enhancing numerous comedic moments with their effortless presence.
In a sense, Malaikottai Vaaliban is an introduction of sorts -- to the world of a warrior Vaaliban and his legendary heists.
Bondage sex and fetish also form a part of the narrative, which is a bold attempt in Mollywood. What ails the film, is its treatment.
'Captain Miller' boldly incorporates positive propaganda. Much like how Analeesan, aka Easa (Dhanush), a tribal, enters a temple built by his predecessors and is now forbidden to them.
Though it may sound like a run-of-the-mill love story, filmmaker Sajid Yahiya offers a refreshing touch to the narrative by introducing some novel situations and characters who grow on you after a while.
At times, it evokes memories of 'Garudan,' directed by Arun Varma and written by Midhun, in terms of its style, and 'Anjaam Paathira' (directed by Midhun Manuel) in its premise.
Praveen Chandran’s ‘Perilloor Premier League’ (PPL) on Hotstar is an ideal pick for binge-watching on a lazy weekend.
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