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Anend, whose filmography includes ‘Premam’, ‘Bheeshma Parvam’, and ‘Neram’, approached ‘Chatha Pacha’ with a clear sense of restraint. Wrestling, he felt, exists in a strange sweet spot: exaggerated yet grounded, theatrical yet painfully real.
Two of the films shot by Sujith Vasudev, ‘Drishyam’ and ‘Lucifer’, feature in the list of the 25 most popular Malayalam films of the past 25 years, selected by Malayala Manorama through audience voting.
Speaking to Malayala Manorama, Nimish opens up about his beginnings, creative process, collaborations with Dulquer Salmaan and Mammootty, and his dream of working with Suriya.
While the movie's neo-noir making style, satire and performances are a class apart, it is the unusual framing that has become the point of discussion among movie buffs.
The cinematographer-director says 'Jack & Jill' is an experiment and that the talent of Manju Warrier, who is even part of the big league in Tamil cinema, hasn’t been fully utilized yet.
After debuting in V K Prakash's 'Netholi Cheriya Meenalla', Vishnu Thandassery went on to shoot location stills for more than 25 movies.
Vinod says that many Keralites fail to notice the beauty of places in our own state.
Sujith visited Lakshadweep for the first time for the shooting of the film 'Anarkali.'
Trip to Himalayas for shooting 'Rani Padmini' made Madhu realise power of nature.
The two-hour 'Sudani From Nigeria' was shot entirely in upstate Malappuram.
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