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The story follows Jacob Singer, a Vietnam War veteran played with quiet intensity by Tim Robbins.
This psychological horror film doesn’t just scare you, it unravels your sense of reality, and that’s what makes it such a standout.
Created by Little Marvin, 'Them' is set in 1950s Compton and follows the Emory family, who move into an all-white neighbourhood in search of a better life. What they find is a nightmare, not only supernatural, but institutional, interpersonal, and generational.
Here, we examine four horror films and series that use their narratives to explore grief, denial, PTSD, and family trauma, showing how the scariest things often live inside our minds.
Grant’s performance is slippery. He starts off disarmingly polite, all warmth and reason, until something in his eyes flickers and you realise he’s playing a long, cruel game.
Starring Monika Panwar as Madhu, a simple girl who moves to Delhi for a job, the series skillfully blends supernatural horror with a parallel storyline about a serial killer.
With 'Sinners', Coogler steps into the horror genre, and while many might have been curious about his take on vampires and supernatural horror, he brings his signature blend of social commentary and emotional depth to the film.
Annabelle Wallis carries the weight of the film well, balancing vulnerability with just enough intensity to keep you invested, even when the plot starts spiralling into madness.
Directed by Dylan Clark, this short horror film doesn’t lean on gore or theatrics.
Clocking in at just under seven minutes, ‘Ignore It’ builds its horror on relentless tension rather than cheap jump scares.
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