The desert is an interesting setting but the filmmaker has, at times, failed to use it quite convincingly in the narrative.
Keya hopes people remember him as a 'beautiful, intelligent, kind, loving, and funny human being.'
The movie featuring Mohanlal and Jaya Prada in prominent roles, revolves around a music composer's quest for the truth behind the unknown spirit that guides him when he returns to his college.
In 'Vishesham', both Sooraj and Anand join forces as they take us through the lives of a couple who are navigating the ups and downs of their second marriage.
While the backbone of Sibi Malayil’s films was scriptwriter A K Lohithadas’s screenplay, Mohanlal was a major force behind its success and vice versa.
Satheesan who has worked in films like ‘Guru’, ‘Devadoothan’, ‘Summer in Bethlehem’, ‘Traffic’, among others, says it was always his dream to work in a film directed by Shankar.
Shankar, a director aware of his craft and known for his ability to take risks, has tried out some new experiments in this film.
For 'Kanakarajyam', directed by Saagar Hari, is all about the fragility, yet richness of the human heart.
While it is being praised for its visual spectacle and mind-blowing Hollywood-style VFX, one cannot deny that the Nag Ashwin directorial has taken a step towards emerging as a true pan-India film.
Reflecting on his current range of characters, he expressed immense joy in delving into comedic roles in his films.
Though the writers have tried their hand at humor in the movie, most of the dialogues fall flat, except for some scenes involving a drunkard and the other villagers.
The undercurrents of the Sri Lankan crisis resonates throughout the film, though the situation is not thrust upon the viewer in any way.